badcoverversion wrote:Well I disagree with the overall consensus on the length of the movie. Sure it was a wee bit bum numbing but I didn't think it outstayed it's welcome and I found it nicely paced and compelling right up until the final frame.
I liked the 3 act structure and I thought both Gosling and Cooper put in fine performances and the glorified cameo from Ray Liotta was also praiseworthy.
I have to agree with you with regards to the general opinion regarding the length. Yes, it was fairly long, but not overly long! We're not talking Lord of the Rings here! It's 2 hours 20 minutes. When was that considered a long film?
And I thought the pace was constant throughout; meaning it wasn't exactly fast-paced but neither did it drag on unnecessarily. Maybe the fuse paper was a little too long at the beginning, but on the whole I thought the film kept the viewer intrigued enough and constantly wondering what would happen next. The way the camera followed the characters was brilliant, giving a realistic, almost documentary feel to the film, as if you were there with them as an observer. This approach allowed you to see and experience the subtle changes in the characters as they moved between locations, rather than just cutting to a new scene and seeing them from a new angle.
The three act structure was great, and the unexpectedness of this worked extremely well. The sudden rolling around of the main focus of the film from the 'main character' in act 1 to the main character in act 2 was probably the highlight for me. I was just left thinking, "How? What? How is the film going to continue now!?" The unpredictability of this film is what made me love it so much. Those who prefer a formulaic Hollywood screenplay are unsurprisingly sure to be disappointed. Granted, act 3 may have been a tad more predictable but it did still keep the viewer guessing. That said, the very final scene did seem to be the director thinking, "Ok, how do I actually end this?". But still, I don't think the ending dragged on.
I also really like the fact that no character in this film was either wholly bad or wholly good. Again, this added to the realistic approach of the film and the believable genuine characters.
If anyone appreciates real cinema and top quality film making, or if they are just bored with tired regurgitated Hollywood drivel, I would highly recommend this film to them.