#15
Post
by kevinknapman » Mon Aug 06, 2012 1:55 pm
Imperfect but beautifully shot and directed, I really enjoyed Take This Waltz. It did have a tendency to fall back on the usual US indie cliches at times and Sarah Polley was also a little too self-indulgent with some scenes going on a little longer than it felt they should. The ending also suffered from multiple ending syndrome, with a few too many extraneous scenes.
On the whole though I really liked it. Michelle Williams was, unsurprisingly, excellent. Giving a sympathetic portrayal of a role that could have easily been entirely unsympathetic. Both Seth Rogen and Luke Kirby were overshadowed as a result but gave perfectly acceptable performances. The chemistry between Williams and the two men was interestingly played out too, with the playful often immature scenes with Rogen compared to the more sarcastic and heated ones with Kirby. Scenes that have emotional resonance in the latter stages of the film. Sarah Silverman was also excellent as Rogen's sister.
Several wonderful scenes were dotted throughout helped by interesting and surprising musical choices. An early scene with Williams and Kirby wordlessly making their way from the plane to the taxi was elevated by the use of Micah P Hinson's Close Your Eyes. Whilst a magical scene on a fairground waltzer was amusingly set to Video Killed the Radio Star by Buggles. Less surprisingly perhaps was the use of Leonard Cohen's Take This Waltz (the film was named after it of course) near the end. Nice cover of Cohen's Closing Time by Feist too.
As far as messy relationship dramas go it falls short of the brilliance of Williams' own Blue Valentine. But though far from perfect it is well worth seeing thanks to Williams' amazing central performance, wonderful direction from Polley and outstanding cinematography from Luc Montpellier.
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