#15
Post
by TheyCallMeMrGlass » Fri Mar 21, 2014 1:12 am
I have a confession to make. The only Wes Anderson film I have seen is The Fantastic Mr Fox which being an animated film, I found to be enjoyably quirky and rather surreal, although I am not certain such a word can be used for an animated film.
I dont normally see two films in one day but I somehow felt in the mood after watching the fun adrenaline junk movie, Need for Speed. So I thought this film will be a nice gentle wind down. I had Moonrise Kingdom as a prerequisite on my Lovefilm rental queue and hoped to have seen it before watching this but alas I go into this movie as a Wes Anderson virgin (at least for his live action movies).
Well, now that I have seen it, and going by the general consensus that this is a typical Wes Anderson film, I can only conclude that ALL his films are "animated" movies and furthermore, this was absolutely not the wind down I was expecting!
But I ain't complaining because this was a truly oddball, slightly Gilliamesque, visually abstract journey splayed with tremendous wit and a flair for narrative prose that is akin to taking several shots of Absinthe. I loved it.
It has many flaws including a lot of flat jokes but they hardly matter whenever Ralph Fiennes graces the screen with the finest comical performance I have had the joy of watching in recent years. His timing and elegance in delivery is utter perfection. Fiennes has demonstrated a flair for subtle comedy in the past...heck even as Voldemont, there was a comical ignorance about him, not to mention the hilariously goofy laugh he did in the final Potter movie. There is something about him that reminded me of Leonard Rossiter (a great british comic actor in the 70s) who was a master of displaying naivety, struggling to fit into a social environment that was clearly at odds with him. Fiennes channels a similar vein here. But of course credit goes to Wes Anderson for creating this wonderful character in the first place, a naively optimistic soul who makes every effort to maintain a civilised integrity in a world that is obviously and hilariously incompatible to his idealisms. And it is that simple concept that masterly encapsulates the madcap narrative.
There were a couple of nasty moments that shocks in a gory way but its all part of this decidedly wacky package. But amongst the wackiness, Anderson's narrative manages to sprinkle the unsuspecting emotional punches and melancholy that on reflection, I can only admire the masterfulness of how he pulls that off.
There are a plethora of high calibre support actors in here but none of them are actually given any substantial material to shine and to be memorable...apart from perhaps Willem Dafoe in a highly caricatured version of his old classic villainous turns of his early career but still, its not an outstanding small role for him to lend his now aged gravitas to.
Therefore, this is absolutely the Ralph Fiennes show, a tour de force for him.
Despite the negatives, such as the shoving of high calibre actors into non impactual cameos and some jokes falling flat, this still is a delightfully visceral, funny and exhilarating ride on a high speed wagon driven by horses on acid. For me a highly enjoyable experience because being a Wes Anderson virgin (sort of) i found his unique style refreshing.
I cant say, if existing Wes Anderson fans will find this up to his normal standards or not but I cannot imagine fans being disappointed.
8.5/10
Right, now to catch up on a backlog of a WA movies!